Skip to content

Sound and movement with life drawing

16 August 2016

Spirited Bodies has been running multi-model life drawing events in many formats since 2010. In November last year, this included ‘Spirited Sound‘ – a collaboration between Esther Bunting of Spirited Bodies and Sarah Kent: sound bath artist, folk fiddler, homeopath, reiki practitioner and bodyworker. The event was at Bargehouse on the south bank of the Thames, where Kathleen Dutton – artist, creative director, practioner of zen yoga, theta healing and reiki – was a co-organiser.

spiritedbodies_20160723_01

spiritedbodies_20160723_02

spiritedbodies_20160723_03

Esther, Sarah and Kathleen combined forces on 23 July at Lewisham Arthouse to realise a new concept: two small workshops with sound bath, slow nude movement, stillness and drawing. Participants were invited to flow with healing sounds, and find ways to embody them – while drawing or being drawn. Kathleen would lead drawing exercises, whilst Esther directed movements and modelling. The first session would be women-only, from 1pm to 3pm, then a mixed session would follow from 4pm.

spiritedbodies_20160723_04

spiritedbodies_20160723_05

Shortly after midday I helped Esther carry equipment down to the venue. Sarah had arrived too, so once the preparations were well under way I withdrew from the scene. The day was sweltering hot and, upon returning to join the mixed session, I was not surprised to find the room well immersed in the ambience of group body work; not in fragrance but a subtle dishevelment of the original set-up, plus a glow of satisfaction from those who remained from the first two hours. It had evidently been a success.

spiritedbodies_20160723_06

spiritedbodies_20160723_07

When the room filled for the mixed session, I found myself in the company of many friends: Irene drawing, Judit drawing and modelling, Rodger modelling; several other artists were Spirited Bodies regulars. Models would be Judit, Rodger, Esther, me, a debutant male model and Sarah’s daughter, Ellie, who also drew and participated in the earlier session. With everyone assembled, Kathleen brought artists and models together in a circle for a welcoming meditation.

spiritedbodies_20160723_08

Our next half-hour was filled by the explanation and practice of two movement poses. The first of these was the ‘slow movement and stillness chain’ – all six models stood still in a circle while one made very slow gestures until they touched a model to their left, at which point they stopped and the other would take over. Thus, movement was passed around the circle three times during 10 minutes. For the following 15 minutes we started small and grew very slowly from seeds into full bloom.

spiritedbodies_20160723_10
spiritedbodies_20160723_09

Next we took it in turns to stand close to a large sheet of paper taped to a wall while Kathleen drew round our outlines. Not that we’re competitive, but the women’s group had already created a splendid work, so the chaps felt obliged to be on top form and make interesting shapes too. During the break, everybody contributed to colouring in spaces between the original marks. Afterwards we created a 20-minute mass sound symphony with Sarah’s instruments, then all connected for a final 30-minute pose.

spiritedbodies_20160723_11
spiritedbodies_20160723_12

spiritedbodies_20160723_13

spiritedbodies_20160723_14

It had been uncharted water for us all. I was not sure if it might be a bit too unfamiliar and model-centred for some of the artists but everybody left with smiles. They arrived expecting a genuine immersive experience, and that’s what they were given. The only regrettable part was a breakage to Sarah’s beautiful crystal sound pyramid… but she took it stoically and was still able to enjoy joining Ellie, Judit, Rodger, Esther and me for a celebratory post-event picnic at Hilly Fields.

spiritedbodies_20160723_16

spiritedbodies_20160723_15

spiritedbodies_20160723_17
spiritedbodies_20160723_18

It had been a beautiful afternoon. Some of the group’s poses had been highly original; a joy to participate in. My personal favourite was probably the first one – where all the models arranged in a circle, five static and one moving, passing on the movement and freezing in pose. The whole session was filled with new ideas and potential. It remains to be seen whether the format will be repeated, but the appetite certainly seems to be there. Congratulations to Esther, Sarah and Kathleen on making it work.

Video montage of artworks and our sound symphony with models and artists playing:

Advertisements

From → Art

2 Comments
  1. Reblogged this on kathleenduttonstudio and commented:
    Thank you Steve for your positive Encouragement. i do notice how this collaboration is bringing out the best in us all. i feel new ideas pop ot when working with others, shining the light within and making us feel inspired. Its good to hear that their is an appetite for more spirited collaborations. your feedback certainly directs our energies to explore more.

Trackbacks & Pingbacks

  1. Collaborative Sound, Draw & Pose – Spirited Bodies

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: